{"id":3584,"date":"2010-09-28T11:10:32","date_gmt":"2010-09-28T09:10:32","guid":{"rendered":"http:\/\/www.damianzimmermann.de\/blog\/?p=3584"},"modified":"2019-03-27T17:26:27","modified_gmt":"2019-03-27T16:26:27","slug":"der-rote-bulli-im-nrw-forum","status":"publish","type":"post","link":"https:\/\/www.damianzimmermann.de\/blog\/der-rote-bulli-im-nrw-forum\/","title":{"rendered":"&#8222;Der rote Bulli&#8220; im NRW-Forum"},"content":{"rendered":"<p>Das D\u00fcsseldorfer <strong>NRW-Forum<\/strong> zeigt noch bis zum 16. Januar 2011 die Ausstellung &#8222;Der rote Bulli &#8211; Stephen Shore und die Neue D\u00fcsseldorfer Fotografie&#8220;. In der von <strong>Christoph Schaden<\/strong> kuratierten Schau geht es um den Einfluss, den <strong>Stephen Shore<\/strong> mit seinen Farbfotografien auf die Studenten von<strong> Bernd und Hilla Becher<\/strong> hatte &#8211; und der kann ganz offensichtlich gar nicht gro\u00df genug eingesch\u00e4tzt werden. F\u00fcr mich ist die Ausstellung jedenfalls die wichtigste, die ich in diesem Jahr gesehen habe, weil sie ein abgegrastes Thema wie die Becher-Klasse in einen neuen, spannenden und vor allem einleuchtenden Zusammenhang bringt.<\/p>\n<p>Meine ausf\u00fchrliche\u00a0<a href=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Der-rote-Bulli-taz.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Besprechung<\/a> dazu ist heute in der taz erschienen.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-3584 gallery-columns-1 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"492\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Shore_1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-3604\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Shore_1.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Shore_1-189x150.jpg 189w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Shore_1-400x317.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-3604'>\n\t\t\t\tStephen Shore: &#8222;Church Street and Second Street, Easton, Pennsylvania, June 20, 1974&#8220; \u00a9 Stephen Shore, Courtesy 303 Gallery New York\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"492\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Shore_3.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-3605\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Shore_3.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Shore_3-189x150.jpg 189w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Shore_3-400x317.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-3605'>\n\t\t\t\tStephen Shore: &#8222;Ginger Shore, Causeway Inn, Tampa, Florida, November 17, 1977&#8220; Courtesy Stephen Shore\/Aperture Foundation\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"506\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Scholz_1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-3603\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Scholz_1.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Scholz_1-183x150.jpg 183w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Scholz_1-400x326.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-3603'>\n\t\t\t\tKris Scholz: &#8222;Westerland, Sylt 1&#8220; 1983 \u00a9 VG Bild-Kunst, Bonn\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"821\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Becker_2.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-3597\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Becker_2.jpg 680w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Becker_2-113x150.jpg 113w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Becker_2-302x400.jpg 302w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-3597'>\n\t\t\t\tBoris Becker: &#8222;River Valley Motor Lodge&#8220;, 1994 \u00a9 VG Bild-Kunst, Bonn\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"494\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Esser_2.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-3598\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Esser_2.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Esser_2-188x150.jpg 188w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Esser_2-400x318.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-3598'>\n\t\t\t\tElger Esser: &#8222;Weidesheim Nr 14&#8220; aus der Serie Z\u00fclpicher B\u00f6rde, 1992 \u00a9 VG Bild-Kunst, Bonn\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"832\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Ruff_2.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-3602\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Ruff_2.jpg 671w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Ruff_2-111x150.jpg 111w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Ruff_2-298x400.jpg 298w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-3602'>\n\t\t\t\tThomas Ruff: &#8222;Interieur 2D 1982 (Tegernsee)&#8220; Courtesy Staatliche Museen zu Berlin, Nationalgalerie, 2008 Schenkung der Friedrich Christian Flick Collection \u00a9 Thomas Ruff \/ VG Bild-Kunst, Bonn, Foto: bpk\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"799\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Gursky_1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-3600\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Gursky_1.jpg 698w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Gursky_1-116x150.jpg 116w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Gursky_1-310x400.jpg 310w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-3600'>\n\t\t\t\tAndreas Gursky: &#8222;Madrid&#8220; 1988 \u00a9 Andreas Gursky, VG Bild-Kunst, Bonn Courtesy Spr\u00fcth Magers Berlin London\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"458\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Struth_2.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-3607\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Struth_2.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Struth_2-200x147.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Struth_2-400x295.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-3607'>\n\t\t\t\tThomas Struth: &#8222;New York, Coenlies Slip \/ Water Street North West&#8220; 1978-1987 Courtesy LVR-Landesmuseum Bonn, Rheinisches Landesmuseum f\u00fcr Arch\u00e4ologie, Kunst- und Kulturgeschichte\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"620\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Hilla-Becher.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-3609\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Hilla-Becher.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Hilla-Becher-150x150.jpg 150w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Hilla-Becher-400x400.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-3609'>\n\t\t\t\tHilla Becher vor dem Bild &#8222;Church Street and Second Street, Easton, Pennsylvania, June 20, 1974&#8220; von Stephen Shore, das auch Pate stand f\u00fcr die Ausstellung &#8222;Der rote Bulli&#8220;\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"775\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Stephen-Shore.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-3625\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Stephen-Shore.jpg 720w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Stephen-Shore-120x150.jpg 120w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Stephen-Shore-320x400.jpg 320w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-3625'>\n\t\t\t\tStephen Shore vor seinem Bild &#8222;Beverly Boulevard and La Brea Avenue, Los Angeles, California, June 21, 1975&#8220;\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Das D\u00fcsseldorfer NRW-Forum zeigt noch bis zum 16. Januar 2011 die Ausstellung &#8222;Der rote Bulli &#8211; Stephen Shore und die Neue D\u00fcsseldorfer Fotografie&#8220;. In der von Christoph Schaden&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3604,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[41,255,456,454,453,260,457,138,136,252,219],"class_list":["post-3584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellungen","tag-andreas-gursky","tag-bernd-und-hilla-becher","tag-boris-becker","tag-christoph-schaden","tag-der-rote-bulli","tag-elger-esser","tag-kris-scholz","tag-stephen-shore","tag-the-la-brea-matrix","tag-thomas-ruff","tag-thomas-struth"],"_links":{"self":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/3584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/comments?post=3584"}],"version-history":[{"count":28,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/3584\/revisions"}],"predecessor-version":[{"id":20625,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/3584\/revisions\/20625"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media\/3604"}],"wp:attachment":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media?parent=3584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/categories?post=3584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/tags?post=3584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}