{"id":26280,"date":"2026-01-02T10:54:03","date_gmt":"2026-01-02T09:54:03","guid":{"rendered":"https:\/\/www.damianzimmermann.de\/blog\/?p=26280"},"modified":"2026-08-08T10:54:23","modified_gmt":"2026-08-08T08:54:23","slug":"interview-mit-alejandro-cegarra","status":"publish","type":"post","link":"https:\/\/www.damianzimmermann.de\/blog\/interview-mit-alejandro-cegarra\/","title":{"rendered":"Interview mit Alejandro Cegarra"},"content":{"rendered":"<p>Mit seiner Serie \u201eThe Two Walls\u201c \u00fcber Menschen auf der Flucht in Richtung der USA hat <strong>Alejandro Cegarra<\/strong> bereits den World Press Photo Award und den Sony World Photography Award gewonnen, nun wurde er in Wetzlar mit dem <strong>Leica Oskar Barnack Award<\/strong> ausgezeichnet. Im Interview spricht der in Mexiko lebende Venezolaner dar\u00fcber, warum ihn das Thema Migration nicht losl\u00e4sst, wie er seine Bilder finanziert und welche Gefahr von der Polizei und den Drogenkartellen ausgeht. <a href=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/FM0126_22-27_Portfolio.pdf\" target=\"_blank\" rel=\"noopener\">Das Gespr\u00e4ch k\u00f6nnt ihr hier nachlesen<\/a>.<\/p>\n<p>Links: <a href=\"https:\/\/www.alecegarra.com\/\" target=\"_blank\" rel=\"noopener\">Alejandro Cegarra<\/a>, <a href=\"https:\/\/www.leica-oskar-barnack-award.com\/\" target=\"_blank\" rel=\"noopener\">Leica Oskar Barnack Award<\/a><\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-26280 gallery-columns-1 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"414\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/10_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-1024x683.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-26276\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/10_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-1024x683.jpg 1024w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/10_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/10_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-768x512.jpg 768w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/10_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-1536x1024.jpg 1536w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/10_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-2048x1366.jpg 2048w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/10_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-973x649.jpg 973w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/10_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-508x339.jpg 508w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-26276'>\n\t\t\t\tEddie, Carolina und ihre vierj\u00e4hrige Tochter Valentina verstecken sich in einem  \nverlassenen Haus, bevor sie den Rio Bravo in Piedras Negras, Mexiko, erreichen.  Foto: Alejandro Cegarra\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"414\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/11_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-1024x683.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-26279\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/11_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-1024x683.jpg 1024w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/11_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/11_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-768x512.jpg 768w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/11_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-1536x1024.jpg 1536w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/11_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-2048x1366.jpg 2048w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/11_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-973x649.jpg 973w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/11_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-508x339.jpg 508w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-26279'>\n\t\t\t\tAsylsuchende warten vor den Toren der mexikanischen Kommission f\u00fcr Fl\u00fcchtlingshilfe auf eine Anh\u00f6rung zu ihrem Asylantrag. Tapachula, Mexiko 2019.  Foto: Alejandro Cegarra\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"414\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/12_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-1024x683.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-26277\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/12_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-1024x683.jpg 1024w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/12_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/12_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-768x512.jpg 768w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/12_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-1536x1024.jpg 1536w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/12_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-2048x1366.jpg 2048w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/12_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-973x649.jpg 973w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/12_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-508x339.jpg 508w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-26277'>\n\t\t\t\tEver Sosa tr\u00e4gt seine \nTochter auf den  \nSchultern, w\u00e4hrend  \nsie den R\u00edo Suchiate  \nvon Guatemala nach  \nMexiko \u00fcberqueren. \nMexiko 2020.  Foto: Alejandro Cegarra\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"414\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/03_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-1024x683.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-26275\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/03_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-1024x683.jpg 1024w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/03_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/03_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-768x512.jpg 768w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/03_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-1536x1024.jpg 1536w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/03_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-2048x1366.jpg 2048w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/03_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-973x649.jpg 973w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/03_\u252c\u00ae_Alejandro_Cegarra_The_Two_Walls-508x339.jpg 508w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-26275'>\n\t\t\t\tRuben, ein Migrant aus Venezuela, sitzt mit Rosa, einer Migrantin aus Honduras, auf dem Dach des als \u201eLa  \nBestia\u201c bekannten Zuges. Samalayuca, Mexiko 2023. Foto: Alejandro Cegarra\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mit seiner Serie \u201eThe Two Walls\u201c \u00fcber Menschen auf der Flucht in Richtung der USA hat Alejandro Cegarra bereits den World Press Photo Award und den Sony World&#8230;<\/p>\n","protected":false},"author":1,"featured_media":26278,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,1163],"tags":[2820,2119],"class_list":["post-26280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellungen","category-interviews","tag-alejandro-cegarra","tag-leica-oskar-barnack-award"],"_links":{"self":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/26280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/comments?post=26280"}],"version-history":[{"count":5,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/26280\/revisions"}],"predecessor-version":[{"id":26285,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/26280\/revisions\/26285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media\/26278"}],"wp:attachment":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media?parent=26280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/categories?post=26280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/tags?post=26280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}