{"id":23574,"date":"2022-08-18T08:35:25","date_gmt":"2022-08-18T06:35:25","guid":{"rendered":"http:\/\/www.damianzimmermann.de\/blog\/?p=23574"},"modified":"2022-08-18T08:52:51","modified_gmt":"2022-08-18T06:52:51","slug":"erinnern-um-vergessen-zu-koennen","status":"publish","type":"post","link":"https:\/\/www.damianzimmermann.de\/blog\/erinnern-um-vergessen-zu-koennen\/","title":{"rendered":"Erinnern, um vergessen zu k\u00f6nnen"},"content":{"rendered":"<p>Wo verl\u00e4uft die Grenze zwischen Wahrheit und Erinnerung? In der Ausstellung &#8222;Currency: Photography beyond capture&#8220;, die im Rahmen der <strong>Triennale der Photographie\u00a0<\/strong> in den <strong>Deichtorhallen Hamburg<\/strong> zu sehen ist, besch\u00e4ftigen sich mit <strong>Raed Yassin<\/strong>, <strong>Lebohang Kganye<\/strong>, <strong>Leslie Hewitt<\/strong> und <strong>Mame-Diarra Niang<\/strong> gleich vier K\u00fcnstlerinnen und K\u00fcnstler mit diesem Thema. Erstaunlich oft werden dabei Familienfotos genutzt &#8211; die eigenen, aber auch die von fremden Menschen.<\/p>\n<p>Mein Artikel ist im Halle4-Magazin der Deichtorhallen Hamburg erschienen <a href=\"https:\/\/www.deichtorhallen.de\/halle4\/erinnern-um-vergessen-zu-koennen\" target=\"_blank\" rel=\"noopener\">und gibt es hier<\/a>.<\/p>\n<p>Links: <a href=\"https:\/\/raedyassin.info\/info\" target=\"_blank\" rel=\"noopener\">Raed Yassin<\/a>, <a href=\"https:\/\/www.lebohangkganye.co.za\/\" target=\"_blank\" rel=\"noopener\">Lebohang Kganye<\/a>, <a href=\"https:\/\/www.lesliehewitt.info\/\" target=\"_blank\" rel=\"noopener\">Leslie Hewitt<\/a>, <a href=\"https:\/\/www.mamediarraniang.com\/\" target=\"_blank\" rel=\"noopener\">Mame-Diarra Niang<\/a>,\u00a0 <a href=\"https:\/\/www.deichtorhallen.de\/\" target=\"_blank\" rel=\"noopener\">Deichtorhallen Hamburg<\/a>, <a href=\"https:\/\/phototriennale.de\/de\/\" target=\"_blank\" rel=\"noopener\">Triennale der Photographie Hamburg<\/a><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-23574 gallery-columns-1 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"413\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001403.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-23579\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001403.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001403-400x267.jpg 400w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001403-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001403-768x512.jpg 768w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001403-210x140.jpg 210w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-23579'>\n\t\t\t\tLebohang Kganye, Mohlokomedi wa Tora, 2018. Installationsansicht in den Deichtorhallen Hamburg. Foto: Damian Zimmermann\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"413\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001473.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-23577\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001473.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001473-400x267.jpg 400w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001473-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001473-768x512.jpg 768w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001473-210x140.jpg 210w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-23577'>\n\t\t\t\tRaed Yassin, aus der Serie The Company of Silver Spectres (Die Gesellschaft der silbernen Geister).\nFoto: Damian Zimmermann\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"900\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001480.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-23578\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001480.jpg 600w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001480-267x400.jpg 267w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001480-100x150.jpg 100w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001480-210x315.jpg 210w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-23578'>\n\t\t\t\tInstallationsansicht in den Deichtorhallen Hamburg. Im Vordergrund Raed Yassins Serie &#8222;The Company of Silver Spectres&#8220;, im Hintergrund Leslie Hewitts Arbeit &#8222;Subfield&#8220;.\n Foto: Damian Zimmermann\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"817\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001470.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-23581\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001470.jpg 683w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001470-304x400.jpg 304w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001470-114x150.jpg 114w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001470-210x277.jpg 210w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-23581'>\n\t\t\t\tLeslie Hewitt, Riffs on Real Time (7 of 10), 2012 &#8211; 2017. Courtesy the artist and Perrotin.  Foto: Damian Zimmermann\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"413\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001443.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-23580\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001443.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001443-400x267.jpg 400w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001443-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001443-768x512.jpg 768w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/R001443-210x140.jpg 210w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-23580'>\n\t\t\t\tMame-Diarra Niang, Installationsansicht &#8222;L\u00e9th\u00e9&#8220; in den Deichtorhallen Hamburg. Foto: Damian Zimmermann\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wo verl\u00e4uft die Grenze zwischen Wahrheit und Erinnerung? In der Ausstellung &#8222;Currency: Photography beyond capture&#8220;, die im Rahmen der Triennale der Photographie\u00a0 in den Deichtorhallen Hamburg zu sehen&#8230;<\/p>\n","protected":false},"author":1,"featured_media":23579,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,1006],"tags":[1846,55,2009,2299,2300,2298,112],"class_list":["post-23574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellungen","category-festivalsmessen","tag-deichtorhallen-hamburg","tag-fotoalben","tag-lebohang-kganye","tag-leslie-hewitt","tag-mame-diarra-niang","tag-raed-yassin","tag-triennale"],"_links":{"self":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/23574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/comments?post=23574"}],"version-history":[{"count":9,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/23574\/revisions"}],"predecessor-version":[{"id":23588,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/23574\/revisions\/23588"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media\/23579"}],"wp:attachment":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media?parent=23574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/categories?post=23574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/tags?post=23574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}