{"id":1844,"date":"2010-04-01T07:00:46","date_gmt":"2010-04-01T05:00:46","guid":{"rendered":"http:\/\/www.damianzimmermann.de\/blog\/?p=1844"},"modified":"2019-03-27T19:01:21","modified_gmt":"2019-03-27T18:01:21","slug":"die-altmeister-hosoe-und-tomatsu-in-koln","status":"publish","type":"post","link":"https:\/\/www.damianzimmermann.de\/blog\/die-altmeister-hosoe-und-tomatsu-in-koln\/","title":{"rendered":"Die Altmeister Eikoh Hosoe und Sh\u00f4mei T\u00f4matsu"},"content":{"rendered":"<p>In K\u00f6ln gibt es derzeit die seltene Gelegenheit, sich gleich in zwei Ausstellungen Arbeiten der beiden japanischen Fotografielegenden <strong>Eikoh Hosoe<\/strong> und <strong>Sh\u00f4mei T\u00f4matsu<\/strong> anzuschauen. Zum einen zeigt das <strong>Japanische Kulturinstitut<\/strong> noch bis zum 22. Mai Arbeiten aus drei Serien Eikoh Hosoes &#8211; unter anderem seine wohl bekannteste <strong>Kamaitachi<\/strong>, die mich sehr begeistert hat. In der <strong>Galerie Priska Pasquer<\/strong> gibt es zudem noch bis zum 17. April Bilder von Sh\u00f4mei T\u00f4matsu zu sehen &#8211; und somit erstmals in einer Einzelausstellung in Deutschland \u00fcberhaupt. Ich kann jedem, der sich auch nur ansatzweise f\u00fcr Fotografie aus Japan interessiert, beide Ausstellungen nur ans Herz legen &#8211; schlie\u00dflich haben sowohl Hosoe als auch T\u00f4matsu die Arbeit sp\u00e4terer Generationen entschieden mitgepr\u00e4gt.<\/p>\n<p>Meine leider etwas gek\u00fcrzte Besprechung aus dem K\u00f6lner Stadt-Anzeiger gibt es <a href=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/97Hosoe+Tomatsu_2.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">hier<\/a>.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-1844 gallery-columns-1 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"604\" height=\"900\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Kamaitachi-81965.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1853\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Kamaitachi-81965.jpg 604w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Kamaitachi-81965-100x150.jpg 100w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Kamaitachi-81965-268x400.jpg 268w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1853'>\n\t\t\t\tEikoh Hosoe, Kamaitachi #8, 1965 \u00a9 Eikoh Hosoe \/ Courtesy of Studio Equis \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"422\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Hosoe-Kamaitachi17-1965.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1852\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Hosoe-Kamaitachi17-1965.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Hosoe-Kamaitachi17-1965-200x136.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Hosoe-Kamaitachi17-1965-400x272.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1852'>\n\t\t\t\tEikoh Hosoe, Kamaitachi #17, 1965 \u00a9 Eikoh Hosoe \/ Courtesy of Studio Equis \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"413\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Kamaitachi-231965.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1854\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Kamaitachi-231965.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Kamaitachi-231965-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Kamaitachi-231965-400x266.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1854'>\n\t\t\t\tEikoh Hosoe, Kamaitachi #23, 1965 \u00a9 Eikoh Hosoe \/ Courtesy of Studio Equis \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"609\" height=\"900\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Kazuo-Ohno1960.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1855\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Kazuo-Ohno1960.jpg 609w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Kazuo-Ohno1960-101x150.jpg 101w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Kazuo-Ohno1960-270x400.jpg 270w\" sizes=\"auto, (max-width: 609px) 100vw, 609px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1855'>\n\t\t\t\tEikoh Hosoe, Kazuo Ohno, 1960, \u00a9 Eikoh Hosoe \/ Courtesy of Studio Equis \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"497\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Ukiyo-e-Projections-12002.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1856\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Ukiyo-e-Projections-12002.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Ukiyo-e-Projections-12002-187x150.jpg 187w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Ukiyo-e-Projections-12002-400x320.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1856'>\n\t\t\t\tEikoh Hosoe, Ukiyo-e Projections #1, 2002\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"367\" height=\"497\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Tomatsu-03080-50.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1864\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Tomatsu-03080-50.jpg 367w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Tomatsu-03080-50-110x150.jpg 110w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Tomatsu-03080-50-295x400.jpg 295w\" sizes=\"auto, (max-width: 367px) 100vw, 367px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1864'>\n\t\t\t\tSh\u00f4mei T\u00f4matsu, Prostituierte, 1957, printed 2003, \u00a9 Sh\u00f4mei T\u00f4matsu \/ Courtesy Galerie Priska Pasquer, K\u00f6ln\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"350\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03942.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1869\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03942.jpg 500w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03942-200x140.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03942-400x280.jpg 400w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1869'>\n\t\t\t\tSh\u00f4mei T\u00f4matsu, o. T., aus der Serie &#8222;Eros, Tokyo&#8220;, 1969, printed 1986, \u00a9 Sh\u00f4mei T\u00f4matsu \/ Courtesy Galerie Priska Pasquer, K\u00f6ln\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"533\" height=\"355\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03933-72.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1868\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03933-72.jpg 533w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03933-72-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03933-72-400x266.jpg 400w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1868'>\n\t\t\t\tSh\u00f4mei T\u00f4matsu, o. T. (Kadena, Okinawa), aus der Serie &#8222;Chewing Gum and Chocolate&#8220;, 1969, printed 1978, \u00a9 Sh\u00f4mei T\u00f4matsu \/ Courtesy Galerie Priska Pasquer, K\u00f6ln\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"461\" height=\"502\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03083-90.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1866\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03083-90.jpg 461w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03083-90-137x150.jpg 137w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03083-90-367x400.jpg 367w\" sizes=\"auto, (max-width: 461px) 100vw, 461px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1866'>\n\t\t\t\tSh\u00f4mei T\u00f4matsu, Flaschen, geschmolzen und verformt durch die Hitze der Atombombe, Radioaktivit\u00e4t und Feuer, Nagasaki,  1961, printed 1974,  \u00a9 Sh\u00f4mei T\u00f4matsu \/ Courtesy Galerie Priska Pasquer, K\u00f6ln\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"355\" height=\"505\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03082-80.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1865\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03082-80.jpg 355w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03082-80-105x150.jpg 105w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03082-80-281x400.jpg 281w\" sizes=\"auto, (max-width: 355px) 100vw, 355px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1865'>\n\t\t\t\tSh\u00f4mei T\u00f4matsu, o. T. (Ishiki, Aichi) aus der Serie &#8222;Floods and Japanese&#8220; 1959\/66, printed 1966, \u00a9 Sh\u00f4mei T\u00f4matsu \/ Courtesy Galerie Priska Pasquer, K\u00f6ln\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"508\" height=\"353\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03087-50.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1867\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03087-50.jpg 508w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03087-50-200x138.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/TOMATSU-03087-50-400x277.jpg 400w\" sizes=\"auto, (max-width: 508px) 100vw, 508px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1867'>\n\t\t\t\tSh\u00f4mei T\u00f4matsu, o. T. (Hateruma-jima, Okinawa), aus der Serie &#8222;The Pencil of the Sun&#8220;, 1971, \u00a9 Sh\u00f4mei T\u00f4matsu \/ Courtesy Galerie Priska Pasquer, K\u00f6ln\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>In K\u00f6ln gibt es derzeit die seltene Gelegenheit, sich gleich in zwei Ausstellungen Arbeiten der beiden japanischen Fotografielegenden Eikoh Hosoe und Sh\u00f4mei T\u00f4matsu anzuschauen. Zum einen zeigt das&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1852,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[275,277,276],"class_list":["post-1844","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellungen","tag-eikoh-hosoe","tag-japanische-fotografie","tag-shomei-tomatsu"],"_links":{"self":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/1844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/comments?post=1844"}],"version-history":[{"count":30,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/1844\/revisions"}],"predecessor-version":[{"id":20674,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/1844\/revisions\/20674"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media\/1852"}],"wp:attachment":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media?parent=1844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/categories?post=1844"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/tags?post=1844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}