{"id":18211,"date":"2016-05-24T20:42:34","date_gmt":"2016-05-24T18:42:34","guid":{"rendered":"http:\/\/www.damianzimmermann.de\/blog\/?p=18211"},"modified":"2020-10-22T16:02:45","modified_gmt":"2020-10-22T14:02:45","slug":"jojakim-cortisadrian-sonderegger-icons","status":"publish","type":"post","link":"https:\/\/www.damianzimmermann.de\/blog\/jojakim-cortisadrian-sonderegger-icons\/","title":{"rendered":"Jojakim Cortis\/Adrian Sonderegger: &#8222;Icons&#8220;"},"content":{"rendered":"<p>Wenn mir jemand sagt, dass er mit seiner Kunst irritieren wolle, gehe ich sofort in Hab\u00adacht\u00adstel\u00adlung: Viel zu oft habe ich diese Worth\u00fclse schon in Pressetexten und Kritiken gelesen oder auf Er\u00f6ffnungen und in Gespr\u00e4chen geh\u00f6rt. Und viel zu oft hat sich nichts dahinter verborgen.<\/p>\n<p>Doch bei <strong>Jojakim Cortis<\/strong> und <strong>Adrian Sonderegger<\/strong> ist es anders. Ich mag ihre Serie &#8222;Icons&#8220; sehr gerne, hat sie meiner Meinung nach doch die richtige Mischung aus k\u00fcnstlerischem Konzept, fotohistorischem Hintergrund, handwerklichem Know-how und eben diesen besonderen Moment der anf\u00e4nglichen Irritation. Au\u00dferdem sehen die Bilder auch einfach toll aus.<\/p>\n<p>Wer jetzt neugierig geworden ist, kann sich ja meinen Artikel aus der aktuellen Ausgabe des fotoMagazin durchlesen, den es <a href=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/fM_6_16_CURTIS_SONDEREGGER.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">hier<\/a> als PDF gibt.<\/p>\n<p>Link: <a href=\"http:\/\/www.ohnetitel.ch\" target=\"_blank\" rel=\"noopener noreferrer\">Cortis &amp; Sonderegger<\/a><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-18211 gallery-columns-1 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"432\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-5.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-18224\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-5.jpg 918w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-5-200x139.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-5-400x278.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-18224'>\n\t\t\t\tJojakim Cortis und Adrian Sonderegger: &#8222;Making of &#8218;AS11-40-5878&#8216; (by Edwin Aldrin, 1969)&#8220;\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"432\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-6.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-18225\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-6.jpg 918w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-6-200x139.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-6-400x278.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-18225'>\n\t\t\t\tJojakim Cortis und Adrian Sonderegger: &#8222;Making of &#8218;Nessie&#8216; (by Marmaduke Wetherell, 1934)&#8220;\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"432\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-10.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-18227\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-10.jpg 918w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-10-200x139.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-10-400x278.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-18227'>\n\t\t\t\tJojakim Cortis und Adrian Sonderegger: &#8222;Making of &#8218;La cour du dumaine du Gras&#8216; (by Joseph Nic\u00e9phore Ni\u00e9pce, 1826)&#8220;\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"432\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-11.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-18228\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-11.jpg 918w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-11-200x139.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-11-400x278.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-18228'>\n\t\t\t\tJojakim Cortis und Adrian Sonderegger: &#8222;Making of &#8218;The Wright Brothers&#8216; (by John Thomas Daniels, 1903)&#8220; \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"432\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-18223\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-1.jpg 918w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-1-200x139.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-1-400x278.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-18223'>\n\t\t\t\tJojakim Cortis und Adrian Sonderegger: &#8222;Making of &#8218;Rhein II&#8216; (by Andreas Gursky, 1999)&#8220;\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"400\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-0.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-18222\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-0.jpg 940w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-0-200x128.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Cortis-Sonderegger-0-400x257.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-18222'>\n\t\t\t\tJojakim Cortis und Adrian Sonderegger: &#8222;Making of &#8218;The last photo of the Titanic afloat&#8216; (by Francis Browne, 1912)&#8220;\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Wenn mir jemand sagt, dass er mit seiner Kunst irritieren wolle, gehe ich sofort in Hab\u00adacht\u00adstel\u00adlung: Viel zu oft habe ich diese Worth\u00fclse schon in Pressetexten und Kritiken&#8230;<\/p>\n","protected":false},"author":1,"featured_media":18224,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,48],"tags":[1901],"class_list":["post-18211","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","category-portrat","tag-jojakim-cortis-adrian-sonderegger"],"_links":{"self":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/18211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/comments?post=18211"}],"version-history":[{"count":31,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/18211\/revisions"}],"predecessor-version":[{"id":20133,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/18211\/revisions\/20133"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media\/18224"}],"wp:attachment":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media?parent=18211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/categories?post=18211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/tags?post=18211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}