{"id":15827,"date":"2014-04-26T09:18:31","date_gmt":"2014-04-26T07:18:31","guid":{"rendered":"http:\/\/www.damianzimmermann.de\/blog\/?p=15827"},"modified":"2019-03-24T15:38:20","modified_gmt":"2019-03-24T14:38:20","slug":"rob-hornstras-the-sochi-project","status":"publish","type":"post","link":"https:\/\/www.damianzimmermann.de\/blog\/rob-hornstras-the-sochi-project\/","title":{"rendered":"Rob Hornstras &#8222;The Sochi Project&#8220;"},"content":{"rendered":"<p>\u00dcber die Langzeitdokumentation &#8222;The Sochi Project&#8220; der Niederl\u00e4nder <strong>Rob Hornstra<\/strong> und <strong>Arnold van Bruggen<\/strong>, die insgesamt elf Mal in die Kaukasusregion gereist sind, um auf die Situation und die Ver\u00e4nderungen vor Ort aufmerksam zu machen, habe ich in der Vergangenheit bereits in <a href=\"https:\/\/www.damianzimmermann.de\/blog\/index.php?s=sochi+rob\" target=\"_blank\" rel=\"noopener noreferrer\">zwei Artikeln<\/a> berichtet.<\/p>\n<p>Nun ist in der April-Ausgabe der <strong>Photographie<\/strong> mein ausf\u00fchrlicher Abschlussbericht zu diesem au\u00dfergew\u00f6hnlichen Projekt erschienen. Den gesamten Artikel gibt es\u00a0<a href=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/PH04_120-127_Sotchi_OK_k-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">hier<\/a> als PDF.<\/p>\n<p>Au\u00dferdem besteht in diesem Jahr gleich mehrfach, die Ausstellung zu besuchen &#8211; bis zum 22. Juni beispielsweise beim <strong>Noorderlicht Fotofestival<\/strong> im niederl\u00e4ndischen Groningen.<\/p>\n<p>Links: <a href=\"http:\/\/www.thesochiproject.org\/en\/chapters\/the-summer-capital\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Sochi Project<\/a>, <a href=\"http:\/\/www.noorderlicht.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">Noorderlicht<\/a>, <a href=\"http:\/\/aperture.org\/shop\/books\/the-sochi-project-rob-hornstra-books\" target=\"_blank\" rel=\"noopener noreferrer\">Aperture<\/a><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-15827 gallery-columns-1 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"794\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Sochi_Cover.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-15842\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Sochi_Cover.jpg 703w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Sochi_Cover-117x150.jpg 117w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Sochi_Cover-312x400.jpg 312w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-15842'>\n\t\t\t\tCover von &#8222;An Atlas of War and Tourism in the Caucasus&#8220;, erschienen bei Aperture 2013\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"413\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/DCS1672_k.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-15834\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/DCS1672_k.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/DCS1672_k-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/DCS1672_k-400x266.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-15834'>\n\t\t\t\tThe Sochi Project &#8211; Ausstellungsansicht im FotoMuseum Antwerpen Bild: FoMu \u00a9 Guy Voet\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"413\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/DCS1662_k.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-15833\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/DCS1662_k.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/DCS1662_k-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/DCS1662_k-400x266.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-15833'>\n\t\t\t\tThe Sochi Project &#8211; Ausstellungsansicht im FotoMuseum Antwerpen Bild: FoMu \u00a9 Guy Voet\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"510\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH110102_SP1808_Marika1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-15837\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH110102_SP1808_Marika1.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH110102_SP1808_Marika1-182x150.jpg 182w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH110102_SP1808_Marika1-400x328.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-15837'>\n\t\t\t\tSochi, RUSSIA, 2011 &#8211; It&#8217;s common for Sochi restaurants (and eateries throughout the country) to feature singers who, night after night, rely on a fixed repertoire of Russian chansons. The term ?background music? is a foreign concept to these performers (often the volume is cranked up to 11) and instead of talking, patrons dance and sing. On this photo: Marika Baiur in restaurant Eurasia in Sochi. \u00a9 Rob Hornstra \/ The Sochi Project\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"510\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH120301_SP5405_Gimry1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-15839\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH120301_SP5405_Gimry1.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH120301_SP5405_Gimry1-182x150.jpg 182w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH120301_SP5405_Gimry1-400x328.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-15839'>\n\t\t\t\tGimry, RUSSIA, 2012 &#8211; View from the road between Shamilkala and Gimry. In the distance are the first houses of Gimry, birthplace of the 19th-century resistance hero Imam Shamil and a h otbed for the current Islamic-inspired separatism. Gimry is under a permanent KTO regime (KTO stands for counterterrorist operation), a kind of state of emergency that gives the police sweeping powers. \u00a9 Rob Hornstra \/ The Sochi Project\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"748\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH090324_SP5511_Zashrikwa_Edrese1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-15835\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH090324_SP5511_Zashrikwa_Edrese1.jpg 746w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH090324_SP5511_Zashrikwa_Edrese1-124x150.jpg 124w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH090324_SP5511_Zashrikwa_Edrese1-331x400.jpg 331w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-15835'>\n\t\t\t\tKuabchara, ABKHAZIA, 2009 &#8211; Brothers Zashrikwa (17) and Edrese (14) pose proudly with a Kalashnikov on the sofa in their aunt and uncle&#8217;s house. They live in the Kodori Valley, a remote mountainous region on the border between Abkhazia and Georgia. In August 2008, Abkhazia gained control of the officially demilitarised Kodori Valley. The valley&#8217;s 2,000 Georgian inhabitants fled over the border. A few families refused to be driven out: &#8218;We are mountain people. Borders don&#8217;t mean very much to us. But if I had to choose between a Georgian and an Abkhazian passport, I would choose a Georgian one.&#8216; \u00a9 Rob Hornstra \/ The Sochi Project\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"510\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH130319_SP30_Rosa_Khutor1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-15840\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH130319_SP30_Rosa_Khutor1.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH130319_SP30_Rosa_Khutor1-182x150.jpg 182w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH130319_SP30_Rosa_Khutor1-400x329.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-15840'>\n\t\t\t\t\u00a9 Rob Hornstra \/ The Sochi Project\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"745\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH090716_SP2011_Mikhail1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-15836\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH090716_SP2011_Mikhail1.jpg 749w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH090716_SP2011_Mikhail1-124x150.jpg 124w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH090716_SP2011_Mikhail1-332x400.jpg 332w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-15836'>\n\t\t\t\tSochi, RUSSIA, 2009 &#8211; Every year, Mikhail Pavelivich Karabelnikov (77) from Novokuznetsk travels around 3,000 kilometres in order to be able to take his holiday in Sochi. The coastal strip on the Black Sea around the subtropical resort of Sochi (Russia) has for decades been famous for its sanatoria. During the Soviet era, millions of workers were sent to one of these sanatoria annually to revive their spirits and strengthen their bodies. Today, the sanatoria are still fully booked year round mostly with elderly or disabled Russians. In the run-up to the Olympic Winter Games in 2014, almost all the sanatoria will be converted into luxury hotels. There is no place for sentimentality when it comes to the past. Sanatorium is an ode to these Soviet strongholds, revealing a deep-seated love for spas that is firmly embedded in the Russian soul. \u00a9 Rob Hornstra \/ The Sochi Project\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"511\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH130508_SP1106_Mil_Highway1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-15841\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH130508_SP1106_Mil_Highway1.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH130508_SP1106_Mil_Highway1-181x150.jpg 181w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH130508_SP1106_Mil_Highway1-400x329.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-15841'>\n\t\t\t\tGudauri, GEORGIA, 2013 &#8211;  Soviet Monument to Russo-Georgian Friendship, north of Gudauri. \u00a9 Rob Hornstra \/ The Sochi Project\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"746\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH110721_SP1010_Taimuraz1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-15838\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH110721_SP1010_Taimuraz1.jpg 748w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH110721_SP1010_Taimuraz1-124x150.jpg 124w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RH110721_SP1010_Taimuraz1-332x400.jpg 332w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-15838'>\n\t\t\t\tChermen, RUSSIA, 2011 &#8211; Taimuraz Tsirigov (56) and his grandchild Dasha (1,5) \u00a9 Rob Hornstra \/ The Sochi Project\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>\u00dcber die Langzeitdokumentation &#8222;The Sochi Project&#8220; der Niederl\u00e4nder Rob Hornstra und Arnold van Bruggen, die insgesamt elf Mal in die Kaukasusregion gereist sind, um auf die Situation und&#8230;<\/p>\n","protected":false},"author":1,"featured_media":15842,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,7],"tags":[912,326],"class_list":["post-15827","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellungen","category-fotobuecher","tag-arnold-van-bruggen","tag-rob-hornstra"],"_links":{"self":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/15827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/comments?post=15827"}],"version-history":[{"count":24,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/15827\/revisions"}],"predecessor-version":[{"id":20235,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/15827\/revisions\/20235"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media\/15842"}],"wp:attachment":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media?parent=15827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/categories?post=15827"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/tags?post=15827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}