{"id":1506,"date":"2010-02-01T11:00:45","date_gmt":"2010-02-01T10:00:45","guid":{"rendered":"http:\/\/www.damianzimmermann.de\/blog\/?p=1506"},"modified":"2019-03-27T19:30:14","modified_gmt":"2019-03-27T18:30:14","slug":"klutsis-und-kulagina-bei-priska-pasquer-in-koln","status":"publish","type":"post","link":"https:\/\/www.damianzimmermann.de\/blog\/klutsis-und-kulagina-bei-priska-pasquer-in-koln\/","title":{"rendered":"Klutsis und Kulagina bei Priska Pasquer in K\u00f6ln"},"content":{"rendered":"<p>In einer kleinen, aber fast schon musealen Schau zeigt die K\u00f6lner <strong>Galerie Priska Pasquer<\/strong> bis zum 9. M\u00e4rz original Fotomontagen und Vintageabz\u00fcge des K\u00fcnstlerpaares <strong>Gustav Klutsis<\/strong> und <strong>Valentina\u00a0 Kulagina<\/strong>. Der Konstruktivist Klutsis (1895-1938) gilt als Pionier auf dem Gebiet des Designs, der Fotografie und der Fotomontage, Kulagina (1902-1987) als innovative Plakat-,\u00a0 Buch-\u00a0 und\u00a0 Ausstellungsdesignerin. Beide expe- rimentierten mit der Fotografie und f\u00fcr beide waren die eigenen Aufnahmen das Ausgangsmaterial\u00a0 f\u00fcr\u00a0 ihre \u00f6ffentlichen Projekte &#8211; womit sie damals nicht gerade im Trend lagen: Die meisten sowjetischen K\u00fcnstler wie <strong>Alexander Rodtschenko<\/strong> arbeiteten f\u00fcr ihre Montagen in der Regel mit gefundenem Bildmaterial.<\/p>\n<p>Den Artikel, erschienen im Ksta, gibt es <a href=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/89Klutsis-Kulagina_2.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">hier<\/a>.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-1506 gallery-columns-1 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"759\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03912.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1515\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03912.jpg 735w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03912-122x150.jpg 122w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03912-326x400.jpg 326w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1515'>\n\t\t\t\tBoris Kulagin, ca. 1929, Vintage-Silverprint\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"336\" height=\"900\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03903a.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1514\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03903a.jpg 336w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03903a-56x150.jpg 56w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03903a-149x400.jpg 149w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1514'>\n\t\t\t\tValentina Kulagina, Gustav Klutsis, and others (pioneer girl), 1927, Vintage-Silverprints\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"891\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03924.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1516\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03924.jpg 626w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03924-104x150.jpg 104w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03924-278x400.jpg 278w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1516'>\n\t\t\t\tDesign for poster: &#8222;Female shock-workers strengthen the shock brigades, master  technology and increase the ranks of proletarian specialists&#8220;, 1931, Cut-and-pasted Gelatin-Silverprint, Gouache and Pencil on Paper\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"852\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03891.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-1513\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03891.jpg 655w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03891-109x150.jpg 109w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/KLUTSIS-03891-291x400.jpg 291w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1513'>\n\t\t\t\tDesign for the poster &#8222;Let&#8217;s provide millions of qualified workers&#8220;, ca. 1931, Cut-and-pasted Gelatin-Silverprints, Paper, Gouache and Pencil on Paper\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>In einer kleinen, aber fast schon musealen Schau zeigt die K\u00f6lner Galerie Priska Pasquer bis zum 9. M\u00e4rz original Fotomontagen und Vintageabz\u00fcge des K\u00fcnstlerpaares Gustav Klutsis und Valentina\u00a0&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1515,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[248,249,250],"class_list":["post-1506","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellungen","tag-alexander-rodtschenko","tag-gustav-klutsis","tag-valentina-kulagina"],"_links":{"self":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/1506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/comments?post=1506"}],"version-history":[{"count":34,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/1506\/revisions"}],"predecessor-version":[{"id":20684,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/1506\/revisions\/20684"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media\/1515"}],"wp:attachment":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media?parent=1506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/categories?post=1506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/tags?post=1506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}