{"id":14529,"date":"2013-11-25T10:34:03","date_gmt":"2013-11-25T09:34:03","guid":{"rendered":"http:\/\/www.damianzimmermann.de\/blog\/?p=14529"},"modified":"2019-03-24T17:28:02","modified_gmt":"2019-03-24T16:28:02","slug":"die-paris-photo-im-grand-palais","status":"publish","type":"post","link":"https:\/\/www.damianzimmermann.de\/blog\/die-paris-photo-im-grand-palais\/","title":{"rendered":"Die Paris Photo im Grand Palais"},"content":{"rendered":"<p>Die <strong>Paris Photo<\/strong> war bislang die wichtigste Messe f\u00fcr Fotografie. Doch unter der Leitung von Direktor <strong>Julien Frydman<\/strong> entwickelt sie sich immer weiter und steht heute als Synonym f\u00fcr die wohl wichtigste Plattform f\u00fcr Fotografie \u00fcberhaupt. Denn das umfangreiche Angebot vereint neben den 136 Galerien auch ganz selbstverst\u00e4ndlich 28 Fotobuchverlage und -h\u00e4ndler sowie mehrere Ausstellungen und \u00fcber 200 Signierstunden unter der wunderbaren Kuppel des Grand Palais. Nat\u00fcrlich geht es hier ums Verkaufen von Bildern &#8211; aber der Ansatz, dass Fotografien zwischen zwei Buchdeckeln mindestens die gleiche Berechtigung haben wie an der Wand, ist durchaus beachtlich und wird meiner Meinung nach in der \u00fcblichen Messeberichterstattung viel zu wenig bis gar nicht ber\u00fccksichtigt.<\/p>\n<p>In meiner Besprechung im <a href=\"http:\/\/derstandard.at\/1381374263116\/Messe-fuer-Fotografie-im-Wandel\" target=\"_blank\" rel=\"noopener noreferrer\">Standard <\/a>wollte ich das ein wenig \u00e4ndern.<\/p>\n<p>Link: <a href=\"http:\/\/www.parisphoto.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Paris Photo<\/a><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-14529 gallery-columns-1 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"505\" height=\"900\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Messe1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-14538\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Messe1.jpg 505w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Messe1-84x150.jpg 84w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Messe1-224x400.jpg 224w\" sizes=\"auto, (max-width: 505px) 100vw, 505px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-14538'>\n\t\t\t\tEindruck von der 17. Paris Photo im Grand Palais \u00a9 Damian Zimmermann\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"620\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JH_Jet_Airliner27.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-14535\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JH_Jet_Airliner27.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JH_Jet_Airliner27-150x150.jpg 150w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JH_Jet_Airliner27-400x400.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-14535'>\n\t\t\t\tJosef Hoflehner, aus der Serie &#8222;Jet Airliner&#8220;, am Stand der Galerie Nikolaus Ruzicska, Salzburg\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"413\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Juergen-Teller-Vivienne-Westwood-No3-London-2009.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-14536\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Juergen-Teller-Vivienne-Westwood-No3-London-2009.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Juergen-Teller-Vivienne-Westwood-No3-London-2009-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Juergen-Teller-Vivienne-Westwood-No3-London-2009-400x266.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-14536'>\n\t\t\t\tJ\u00fcrgen Teller, &#8222;Vivienne Westwood No3&#8220;, London, 2009, am Stand der Galerie Suzanne Tarasieve, Paris\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"416\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Mike-Brodie-5126-2006-2009.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-14539\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Mike-Brodie-5126-2006-2009.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Mike-Brodie-5126-2006-2009-200x134.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Mike-Brodie-5126-2006-2009-400x268.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-14539'>\n\t\t\t\tMike Brodie, aus der Serie &#8222;A Period of Juvenile Prosperity&#8220; am Stand der Galerie M+B, Los Angeles\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"517\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/olga.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-14540\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/olga.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/olga-180x150.jpg 180w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/olga-400x333.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-14540'>\n\t\t\t\tRob Hornstra: &#8222;Olga&#8220; aus der Serie &#8222;The Sochi-Project&#8220;, am Stand der Flatland Galerie, Amsterdam\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"487\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Rinko-Kawauchi.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-14541\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Rinko-Kawauchi.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Rinko-Kawauchi-190x150.jpg 190w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Rinko-Kawauchi-400x314.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-14541'>\n\t\t\t\tRinko Kawauchi, aus der Serie &#8222;Ametsuchi&#8220; am Stand der Galerie Priska Pasquer, K\u00f6ln\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"436\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RP-After-the-flood-P149-1.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-14542\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RP-After-the-flood-P149-1.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RP-After-the-flood-P149-1-200x140.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/RP-After-the-flood-P149-1-400x281.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-14542'>\n\t\t\t\tRobert Polidori, aus der Serie &#8222;After the flood&#8220;, 2005, am Stand der Galerie Karsten Greve Paris\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"646\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Diane-Arbus.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-14534\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Diane-Arbus.jpg 864w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Diane-Arbus-144x150.jpg 144w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Diane-Arbus-384x400.jpg 384w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-14534'>\n\t\t\t\tDiane Arbus: &#8222;A young man in curlers dressing up for an annual dragball&#8220;, Vintage-Abzug am Stand der Galerie Westlicht, Wien\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"802\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/August-Sander-Konditormeister-Vintage-1928.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-14533\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/August-Sander-Konditormeister-Vintage-1928.jpg 696w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/August-Sander-Konditormeister-Vintage-1928-116x150.jpg 116w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/August-Sander-Konditormeister-Vintage-1928-309x400.jpg 309w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-14533'>\n\t\t\t\tAugust Sander: &#8222;Konditormeister&#8220;, Vintage aus dem Jahr 1928 am Stand der Galerie Feroz, Bonn\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Die Paris Photo war bislang die wichtigste Messe f\u00fcr Fotografie. Doch unter der Leitung von Direktor Julien Frydman entwickelt sie sich immer weiter und steht heute als Synonym&#8230;<\/p>\n","protected":false},"author":1,"featured_media":14538,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,1006],"tags":[385,267,71,1151,1407,1149,516,1150,935,96,195,322,326,1152,1155,1154,697],"class_list":["post-14529","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","category-festivalsmessen","tag-august-sander","tag-diane-arbus","tag-horst-ademeit","tag-josef-hoflehner","tag-juergen-teller","tag-julien-frydman","tag-martin-parr","tag-mike-brodie","tag-mitch-epstein","tag-otto-steinert","tag-paris-photo","tag-rinko-kawauchi","tag-rob-hornstra","tag-robert-polidori","tag-rudolf-bonvie","tag-sebastiao-salgado","tag-william-henry-fox-talbot"],"_links":{"self":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/14529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/comments?post=14529"}],"version-history":[{"count":35,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/14529\/revisions"}],"predecessor-version":[{"id":20280,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/14529\/revisions\/20280"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media\/14538"}],"wp:attachment":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media?parent=14529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/categories?post=14529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/tags?post=14529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}