{"id":11669,"date":"2013-03-07T08:49:26","date_gmt":"2013-03-07T07:49:26","guid":{"rendered":"http:\/\/www.damianzimmermann.de\/blog\/?p=11669"},"modified":"2019-03-25T12:08:35","modified_gmt":"2019-03-25T11:08:35","slug":"joseph-rodriguez-und-christopher-williams","status":"publish","type":"post","link":"https:\/\/www.damianzimmermann.de\/blog\/joseph-rodriguez-und-christopher-williams\/","title":{"rendered":"Joseph Rodriguez und Christopher Williams"},"content":{"rendered":"<p>Die <strong>Hardhitta Gallery<\/strong> von <strong>Bene Taschen<\/strong> zeigt noch bis zum 6. April eine kleine Retrospektive des in Deutschland noch wenig bekannten amerikanischen Sozialdokumentaristen <strong>Joseph Rodriguez<\/strong>, der die Underdogs und Au\u00dfenseiter der Gesellschaft fotografiert hat, und mich teilweise an <strong>Bruce Davidson<\/strong> und <strong>Jacob Holdt<\/strong> erinnert.<\/p>\n<p>In der <strong>Galerie Gisela Capitain<\/strong> sind zudem bis zum 13. April neue Fotoarbeiten des Konzeptk\u00fcnstlers <strong>Christopher Williams<\/strong> zu sehen. Er hat sich in &#8222;For Example: Dix-Huit Le\u00e7ons Sur La Soci\u00e9t\u00e9 Industrielle (Revision 17) &#8211; The Production Line of Happiness&#8220; mit der legend\u00e4ren Exakta Varex IIa besch\u00e4ftigt, die als eine der qualitativ besten Kameras \u00fcberhaupt gilt, die er aber auch als Symbol f\u00fcr den Kalten Krieg sieht.<\/p>\n<p>Meine beiden Besprechungen findet ihr <a href=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/242-Rodriguez+Williams.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">hier<\/a> im Sammelartikel aus dem Ksta.<\/p>\n<p>Links: <a href=\"http:\/\/www.hardhittagallery.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Hardhitta<\/a>, <a href=\"http:\/\/www.galerie-capitain.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Gisela Capitain<\/a><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-11669 gallery-columns-1 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"496\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2012-EXAKTA_Fig-2.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11675\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2012-EXAKTA_Fig-2.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2012-EXAKTA_Fig-2-187x150.jpg 187w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2012-EXAKTA_Fig-2-400x320.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-11675'>\n\t\t\t\tChristopher Williams, Fig. 2: Loading the film (ORWO NP15 135-36 ASA 25, Manufactured by VEB Filmfabrik Wolfen, Wolfen, German Democratic Republic), Exakta Varex IIa, 35 mm film SLR camera, Manufactured by Ihagee Kamerawerk Steenbergen &#038; Co, Dresden, German Democratic Republic, Body serial no. 979625 (Production period: 1960 &#8211; 1963), Carl Zeiss Jena Tessar, 50mm f\/2.8 lens, Manufactured by VEB Carl Zeiss Jena, Jena, German Democratic Republic, Serial no. 8034351 (Production period: 1967 &#8211; 1970), Model: Christoph Boland, Studio Thomas Borho, Oberkasseler Str. 39, D\u00fcsseldorf, Germany, June 25th, 2012, 2012, Archival Pigment Print, 84,7 x 94,8 cm (framed), Edition of 10\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"496\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2012-EXAKTA_Fig-3.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11676\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2012-EXAKTA_Fig-3.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2012-EXAKTA_Fig-3-187x150.jpg 187w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2012-EXAKTA_Fig-3-400x320.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-11676'>\n\t\t\t\tChristopher Williams, Fig. 3: Opening the finder hood, Exakta Varex IIa, 35 mm film SLR camera, Manufactured by Ihagee Kamerawerk Steenbergen &#038; Co, Dresden, German Democratic Republic, Body serial no. 979625 (Production period: 1960 &#8211; 1963), Carl Zeiss Jena Tessar, 50mm f\/2.8 lens, Manufactured by VEB Carl Zeiss Jena, Jena, German Democratic Republic, Serial no. 8034351 (Production period: 1967 &#8211; 1970), Model: Christoph Boland, Studio Thomas Borho, Oberkasseler Str. 39, D\u00fcsseldorf, Germany, June 26th, 2012, 2012, Archival Pigment Print, 84,7 x 94,8 cm (framed), Edition of 10\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"775\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2012-EXAKTA_Fig-4.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11677\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2012-EXAKTA_Fig-4.jpg 720w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2012-EXAKTA_Fig-4-120x150.jpg 120w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2012-EXAKTA_Fig-4-320x400.jpg 320w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-11677'>\n\t\t\t\tChristopher Williams, Fig. 4: Changing the shutter speed, Exakta Varex IIa, 35 mm film SLR camera, Manufactured by Ihagee Kamerawerk Steenbergen &#038; Co, Dresden, German Democratic Republic, Body serial no. 979625 (Production period: 1960 &#8211; 1963), Carl Zeiss Jena Tessar, 50mm f\/2.8 lens, Manufactured by VEB Carl Zeiss Jena, Jena, German Democratic Republic, Serial no. 8034351 (Production period: 1967 &#8211; 1970), Model: Christoph Boland, Studio Thomas Borho, Oberkasseler Str. 39, D\u00fcsseldorf, Germany, June 19th, 2012, 2012, Archival Pigment Print, 96 x 83,5 cm (framed), Edition of 10\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"464\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2013_CW_GGC_02.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11678\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2013_CW_GGC_02.jpg 800w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2013_CW_GGC_02-200x149.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/2013_CW_GGC_02-400x299.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-11678'>\n\t\t\t\tChristopher Williams, Installationsansicht \u00a9 Photo: Simon Vogel, K\u00f6ln Courtesy Galerie Gisela Capitain, K\u00f6ln \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"429\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JRSH0887.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11684\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JRSH0887.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JRSH0887-200x138.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JRSH0887-400x276.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-11684'>\n\t\t\t\tJoseph Rodriguez: &#8222;Peter drinks a beer with a friend as his children watch TV&#8220;, Spanish Harlem, NY 1987\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"615\" height=\"900\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Monique.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11682\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Monique.jpg 615w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Monique-102x150.jpg 102w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/Monique-273x400.jpg 273w\" sizes=\"auto, (max-width: 615px) 100vw, 615px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-11682'>\n\t\t\t\tJoseph Rodriguez: &#8222;Monique&#8220;, Spanisch Harlem, NY 1987\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"428\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JRSH87JasonAnthonyRodrigHome.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11686\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JRSH87JasonAnthonyRodrigHome.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JRSH87JasonAnthonyRodrigHome-200x138.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JRSH87JasonAnthonyRodrigHome-400x276.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-11686'>\n\t\t\t\tJoseph Rodriguez: &#8222;Jason and Anthony looking into Rodriguez home&#8220;, Spanish Harlem, NY 1987\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"414\" src=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JRLA9321029.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-11683\" srcset=\"https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JRLA9321029.jpg 900w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JRLA9321029-200x133.jpg 200w, https:\/\/www.damianzimmermann.de\/blog\/wp-content\/uploads\/JRLA9321029-400x267.jpg 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-11683'>\n\t\t\t\tJoseph Rodriguez: &#8222;Chivo&#8217;s family&#8220;, Boyle Heights, CA 1993\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Die Hardhitta Gallery von Bene Taschen zeigt noch bis zum 6. April eine kleine Retrospektive des in Deutschland noch wenig bekannten amerikanischen Sozialdokumentaristen Joseph Rodriguez, der die Underdogs&#8230;<\/p>\n","protected":false},"author":1,"featured_media":11675,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[998,364,996,692,997],"class_list":["post-11669","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellungen","tag-bene-taschen","tag-bruce-davidson","tag-christopher-williams","tag-jacob-holdt","tag-joseph-rodriguez"],"_links":{"self":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/11669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/comments?post=11669"}],"version-history":[{"count":32,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/11669\/revisions"}],"predecessor-version":[{"id":20350,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/posts\/11669\/revisions\/20350"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media\/11675"}],"wp:attachment":[{"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/media?parent=11669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/categories?post=11669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.damianzimmermann.de\/blog\/wp-json\/wp\/v2\/tags?post=11669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}